Date: 2009-09-18 01:33 am (UTC)
From: [identity profile] lemmozine.livejournal.com
Well, that's what they keep saying anyway.

What I'd like to know is, exactly how much did Peter add to Leonard Lipton's original poem. I wonder if there's still a copy of the original poem somewhere. I notice on the Leonard Lipton Wikipedia page and on Mr. Lipton's website, Lipton gets full credit for writing with no credit given to Peter Yarrow. I wonder if there might be some animosity there.

I wonder if Leonard Lipton has written any other songs in the past 50 years, or was that pretty much it?

Date: 2009-09-18 02:29 pm (UTC)
From: [identity profile] lemmozine.livejournal.com
Well, that answers my question about what happened to the original poem. It's a shame that it's lost - I'd kind of like to see it.

My opinion on Ogden Nash (whose work inspired the original poem) - one of the small handful of poetic geniuses of the 20th century - he's kind of like a light-verse Walt Whitman. Me - not a fan of Walt Whitman, yes a fan of Ogden Nash. I like imagining his poems being read in his New England accent - I have an LP record of Nash reading. Not surprised that Nash could have inspired such an excellent song.

Date: 2009-09-18 06:31 pm (UTC)
From: [identity profile] lemmozine.livejournal.com
The one Whitman poem I remember at all in detail is his atypical O Captain, My Captain, about the death of Abraham Lincoln. O heart heart heart, O the bleeding drops of red, where on the deck my captain lies, fallen cold and dead." Very trite, but "I celebrate myself and sing myself" didn't exactly grab me.

There are probably 2 or 3 dozen Nash poems I remember fondly. My favorite is The Private Dining Room. "Miss Rafferty wore taffeta. The taffeta was lavender." Works best if you're familiar with Nash's accent (if not, cross a Maine accent with a Kennedy accent and you're pretty close), but a wonderful piece that moves from sober to drunk and then suddenly sobers up at the very end.

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